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生死豪情
海湾战争中,坦克部队军官沙林(丹泽尔•华盛顿 Denzel Washington 饰)一次判断失误下令击毁了己军的坦克,令到好友鲍德温意外死亡了。虽然军事法庭判他不需承担责任,然而他还是日夜受着良心的煎熬,一直想找鲍德温的父母说明此事,却也一直没有勇气。  上司为了给沙林授勋,派他调查战争中一起机械师勇救士兵牺牲的事件。沙林调查中发现勇救士兵而英勇牺牲的竟然是卡伦(梅格•瑞安 Meg Ryan 饰)竟然是个女人!但现场的几名士兵的供词自相矛盾、漏洞百出。在沙林对其中一名士兵墨菲逼问后,墨菲竟然自杀了。随着墨菲的自杀,事件的真相慢慢浮出水面……
荒岛求生2024
影片讲述李朋用拍微电影之名诱骗六个年轻女孩到荒岛,可是置身于孤悬海外的荒凉小岛,她们如何能逃出生天?混乱之中,一场惊心动魄的大逃亡拉开了序幕,最终,谁能活着离开这座被死亡阴影笼罩的小岛……逃出去,活下来。
夺面解码
《夺面解码》根据十八世纪法国传奇人物神探维托真人真事改编,拍摄费用耗资逾一亿五千万法郎,更荣获西班牙电影节五项大奖。法国神探维托(杰拉尔·德帕迪约GérardDepardieu饰)突然失踪,更盛传被一个戴镜子面具的魔人杀死,传闻镜子面具拥有吸去人类灵魂的诡异力量,牵涉整个巴黎多宗神秘谋杀案,顿然引起一阵恐慌。青年新闻记者波艾伦(吉约姆·卡内GuillaumeCanet饰)遂展开追查,更联同神探维托拍档尼马及一神秘女子,逐一查访多位证人,怎知期间陆续发生多宗“电击杀人案”,不少贵族陆续被离奇闪电轰毙,而曾被追访过的目击证人亦相继被人割喉而死,波艾伦更查出此事与城中大批处女突然失踪有关,令剧情更趋向高潮。每个线索都可改变故事发展,最后关键却在维托自己身上……
张震讲故事之洗脸女生的传说
《张震讲故事之洗脸女生的传说》主要讲述了有共同梦想并成功入选公司进行练习生培训的褚甜甜和钱思楠,自幼相识情谊深厚;但钱思楠长相美丽,是未来之星;相较之恬恬长相平凡,只因嗓子好勉强入选,恬恬自卑为此苦恼;一次偶然机会得知洗脸女生的传说故事,并信以为真;前往传说的剧院召唤洗脸女生,结果发生诡异之事,二人受惊。次日思楠发现恬恬性格大变;并且光鲜亮丽许多,两人关系发生微妙变化,随后所发生的一系列微妙的事情。
恐怖面纱
邪教集体自杀的成员三十年后,唯一的幸存者返回到与拖纪录片船员的悲剧一幕。
三摩地 第二部 非你所想
SamadhiMovie.Part2(It’snotwhatyouthink)isthesecondinstallmentofaseriesoffilmsexploringSamadhi.
破胆三次
凯伦(迪·沃伦斯-斯通 Dee Wallace-Stone 饰)是在电视台工作的记者,在她的帮助之下,警方破获了连环杀人魔艾迪(Robert Picardo 饰)所犯下的累累案件,虽然事件得到了圆满的结束,但凯伦的内心也受到了累累伤害,在心理医生的建议之下,她决定和丈夫克里斯(   丹尼斯·杜根 Dennis Dugan 饰)一起前往一家疗养中心接受治疗。   虽然疗养院的风景如诗如画,但是凯伦在这里还是无法完全的卸下防备。随着时间的推移,凯伦发现和自己同院的病人们举止怪异,她还在月圆之夜听到了狼的嚎叫,渐渐的,凯伦开始怀疑,在疗养院里居住的,是一群残暴而又可怕的狼人。
心仇
由意大利菲律宾人女演员亚历山德拉·德罗西主演,玛丽亚将在菲律宾与毒品战争和司法外杀人作斗争。在她丈夫在神秘的环境中被谋杀后,玛丽亚在一个虚拟的警察状态下被留下来照顾她的三个孩子。当她深入马尼拉的黑社会,警察、罪犯和毒品来寻找答案时,她意识到真相从来不是黑白的,她必须探索自己的黑暗,以确保她的家人安全。
失落的大陆
量古生物学学家瑞克•马绍尔(威尔•法瑞尔WillFerrell饰)提出了时光旅行的设想,并征得1500万美元的经费专门开发穿越时空的超光速粒子仪。然而公众对此并不买帐,反而对其大肆嘲笑和抨击。3年来,瑞克无奈窝在一所小学里教书,自暴自弃。某天,来自剑桥的美丽女子霍莉(安娜•弗莱尔AnnaFriel饰)找到瑞克,她展示了一块不可思议的化石,以此鼓励瑞克继续他的研究。重获信心的瑞克最终制造出超光速粒子仪,他和霍莉来到化石的发现地,准备进行时光旅行的测试。在有些神经质的威尔(丹尼•麦克布莱德DannyMcBride饰)的带领下,他们划着皮筏漂流。不料一场强烈地震突然袭来,三人被狂卷的波涛带入一个未知的世界,一场充满惊险和刺激的探险就此展开……
米兰九口径
Fernando Di Leo's Milano Calibro 9 is an out-and-out masterpiece of Italian Crime cinema and, in my opinion, one of the most astonishing crime stories ever told. The first film in Di Leo's excellent 'Milieu' trilogy, Milano Calibro 9 was followed by La Mala Ordina (aka. Manhunt, also 1972) and the brilliant Il Boss (1973). The three films are not connected story-wise, but all three are excellent, and highly realistic portrayals of organized crime. As far as I am concerned Manhunt is (allthough excellent) slightly inferior to this one and Il Boss which both stand out as absolute all-time highlights of crime cinema. Milano Calibro 9 is the best of them all, a film that is astonishing in all aspects, be it the ingenious plot that, apart from a compelling story and clever twists, includes social criticism, the performances, the gritty atmosphere and suspense or the brilliant score. I can hardly find the right words to express my admiration for this masterpiece which easily ranks among the greatest Gangster flicks ever brought to screen.  Gastone Moschin stars as Ugo Piazza, a tough and elliptical ex-convict who has just been released from prison. Immediately after his release, Ugo is approached by members of the Milan mob lead by the irascible gangster Rocco (Mario Adorf), as they suspect him to be responsible for the disappearance of a large sum of money belonging to their boss, an American (Lionel Stander) who controls the organized crime in Milan...  Milano Calibro 9 is a film that delivers an astonishingly realistic mood of the underworld like hardly another. The intriguing storyline goes in hand with interesting characters, raw atmosphere, suspense and breathtaking action, social criticism and brutal violence. The film is simply stunning from the beginning to the end, which is even intensified by the brilliant score, a collaboration of the famous composer Luis Enríquez Bacalov and the Italian Progressive Rock band Osanna. Ugo Piazza must be one of the most charismatic gangster characters ever in cinema, and Gastone Moschin was the prefect choice for the role. Moschin delivers a brilliant performance, and the rest of the cast is also great. Mario Adorf is irascible like a rabid dog as the ferocious gangster Rocco, a role that fits him like a glove. The great Lionel Stander fits perfectly in his role of the American Mafia Don.  The two cop characters in the film are played by two of the greatest regulars of Italian genre-cinema, Luigi Pistilli and Frank Wolff (who committed suicide before the film was released). The ravishing Barbara Bouchet is astonishing and incredibly sexy in the role of Ugo Piazza's stripper girlfriend. Bouchet is both a stunning beauty and an excellent actress and this is doubtlessly one of her most memorable roles. This is also a political film and director Di Leo embedded a lot of social criticism about topics like corruption. This film simply has everything one can possibly desire in cinema. Films like Milano Calibro 9 are the reason why I love cinema. This is an absolute masterpiece in all regards and, without exaggeration, one of the greatest Crime flicks ever made! The ingenious opening scene alone is more memorable than most films get in two hours.
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