四对夫妻面临怀孕期的酸甜苦辣。生殖医学诊所弄错了两对夫妻的受孕过程，40多岁的诊所负责人夫妇意外发现他们要当爸妈，Liane想要孩子，但她的伴侣却不想定下来。

本片由黃梅調巨星凌波反串主演，故事講述，泉州才子陳伯卿（凌波），邂逅潮州第一美人黃碧琚（方盈），心生傾慕；後伯卿得知兩人幼時曾定親，於是隱瞞身份，賣身黃府，作陪讀書僮，以接近碧琚。陝西巡撫之子林大雄（雷鳴），垂涎碧琚美色，強自下聘，欲娶之為妻；碧琚父（李影）貪財怕勢，不理家人反對，收下林家聘禮。伯卿得知碧琚已有婚配，刺激過度，一病不起……

Sixty Glorious Years is an exercise in the creation of iconography, both for Victoria and its star, Anna Neagle (who subsequently became known as 'Regal Neagle'). Just as Elizabeth I commissioned artists to create flattering iconic images for public consumption, so this film performs a similar function, for Neagle is more beautiful than the real life Victoria. Controversial events (such as the 'Irish problem') are omitted and unpleasant aspects of Victoria's character (her petulance, arrogance, favouritism and 'right to privilege') are glossed over as endearing little 'whims'. Albert acts as a moderating influence when she goes too far. 　　The film followed a year after the highly successful Victoria the Great (d. Herbert Wilcox, 1937). Again the screenplay is by Miles Malleson and Robert Vansittart, and many of the supporting cast (the cream of acting talent of period) repeat their roles, this time for the colour cameras. This was the first full length Technicolor film of cinematographer Freddie Young, who captures the spectacle of royal weddings, grand balls and opulent interiors, with scenes actually filmed at royal palaces. Vivid battle scenes, set in Alexander Korda's empire territory (Sevastopol and the Sudan), rival those in The Four Feathers (d. Zoltan Korda 1939). 　　The title music sets the tone: a regal choir sings over a shot of the crown. Elgar's 1901 'Pomp and Circumstance' march is heard during the diamond jubilee celebrations and, as Victoria's coffin lies in state, the film concludes with Anthony Collins' stately music accompanied by the text of Rudyard Kipling's 'Lest we forget'. Combined with the emotional appeal of scenes of Victoria connecting with her 'ordinary folk', this is stirring stuff. 　　The film connects with contemporary events of 1938. The release of two celebratory royal films was intended to boost public affection for the monarchy in the wake of Edward VIII's abdication. Anglo-German relations were another touchy subject. With another war on the horizon, influential voices wanted appeasement, and the film could be seen to fit that agenda. Victoria herself was of mainly German descent, nicknamed 'the grandmother of Europe', while Albert is a 'good German', charmingly played by Anton Walbrook as a cultured, decent man. 　　Sixty Glorious Years now seems unduly formal and reverential. Had movies existed during Victoria's reign (they only emerged at the end) this might have been the kind of film produced. Unlike Mrs Brown (d. John Madden, 1997), it is all so very 'Victorian'. 　　Roger Philip Mellor

板门店边界的共同警备区，一天，哨所里的朝鲜士兵（申河均饰）为来路不明的子弹所杀，引发双方枪战。而最有嫌疑的凶手是同在边界上的韩国士兵，但韩国一方却指责是朝鲜先调起事端，双方都认为对手应该对此负责。为了解决这一无头案件，南北双方同意由一个中立国来进行调查协调。瑞士国籍韩国女孩苏菲（李英爱饰）受派前来调查事件，韩国这边的李秀赫（李秉宪饰）始终保持沉默，而朝鲜一边的幸存者吴敬必（宋康昊饰）却表现出敌意，事情扑朔迷离。随着深入了解，苏菲发现事情隐藏著内幕，现场还另有其人……

TJ, a proud, gay Muslim singer fulfilling his dream to represent France in Europe’s biggest song contest. ISIS decides to plant one of their operatives, acting as TJ’s boyfriend, into the French delegation in order to set off an explosion under the stage during the final performance of the event in Tel Aviv.　　The Israeli Mossad does know about the planned attack and they put their toughest, most experienced team into the contest in order to prevent a major catastrophe.

阿兰（丹尼·伯恩DanyBoon饰）和瓦莱丽（瓦莱丽·博纳东ValérieBonneton饰）结婚多年，共同生养了一个美丽乖巧的女儿，然而，夫妻两人同样火爆的个性令这段并不怎么和谐的婚姻最后以离婚告终，他们彼此都发誓这辈子也不愿意再见到对方。一晃眼，女儿长大成人，即将步入婚礼的殿堂，成为别人的妻子。在如此重要的时刻，女儿希望能够得到父亲和母亲的祝福，就这样，为了参加女儿的婚礼，阿兰的瓦莱丽踏上了旅途。让两人没有想到的是，他们竟然搭上了同一班飞机，意外的重逢使那些不愉快的旧日回忆一一闪现，两人相互刁难，争锋相对。一场意外令瓦莱丽错过了公车，于是，她决定和阿兰拼车，共同抵达目的地。

AtruestoryaboutagayboygrowingupinthecollapsingUSSR,hiscourageousmail-orderbridemother,andtheiradventurousescapetoSeattleinthe90s.

《爱在小红点》由四部短片组成，温淑安、伍洛毅与包勋评在其中的《爱诱惑》有大胆演出，由罗胜负责执导。温淑安与伍洛毅饰演结婚多年夫妻，她感觉当空少的伍洛毅忽略自己，便到外面“偷吃”，认识“小王”包勋评，从女性角度探讨婚外情。　　《爱》的另外三部短片导演分别是陈启全、任锦添与拉伊汉哈利姆（Raihan Halim）。陈启全在《爱极限》短片以龟毛准新郎邓国强开始，一求婚就衰事连连，花了毕生储蓄买的求婚戒指被黄正平骗走，他及好友石伟正必须想尽办法找回戒指。　　《爱记得》是任锦添执导的作品，故事讲述陷入婚姻危机的一对小夫妻（陈伟恩和胡佳嬑饰），两人被一名中年男子（段伟明饰）对老婆真挚的感情所感动，婚姻有了扭转。两人拍完了戏后，对上一代人不离不弃的爱情观有更深入看法，希望在生活中能找到长相厮守的合适伴侣。

帕布斯特的《一个灵魂的秘密》(Geheimnisse einer Seele, 1926)是第一部在电影叙事中严肃地尝试使用新弗洛伊德学派精神分析原理的影片。渴望使用科学方法解决心理问题，使得《一个灵魂的秘密》成为新客观派的另一种变体。这部影片实际上是一个案例研究，一个看似普通的男人，患上了一种刀具恐惧症，他试图从一个精神分析学家那里得到治疗。尽管影片对精神分析的描述太过简单，但一些表现主义风格的梦境段落给影片增添相当多的趣味。 　　（波德维尔等《世界电影史》第2版，第154—155页。）

小偷林田义助曾四次被捕入狱。一天他在温泉认识了女招待桃子并与之同居，还把偷来的东西送给她，却因事情败露被警察安东抓获。在被保释出来后又去偷仓库的晚上，义助碰上了九个大个子男人。第二天附近的车站发生了火车脱轨事件，义助作为嫌疑犯再次入狱。在狱中他见到了被称为是制造火车脱轨事件的三名犯人，但三人均不承认是其所为，这引起义助对那九个大个子男人的怀疑。出狱之后义助决定重新做人，认识了阿花并与之结婚，只是并没有告诉阿花自己的过去。律师藤本请义助做火车脱轨事件的目击证人，安东却威胁义助如不按照警方的话去做就抖出他的前科。为了三名无辜者义助决定实话实说。安东当众揭短，义助仍然将当晚之事向法庭作了真实的陈述…… 　　故事根据1961年的“松川事件”内部素材改编。这是一部充满喜剧色彩的影片，非常辛辣地对警察当局的虚伪进行了讽刺，当然最重要的还是刻划了义助这个虽有多次小偷前科但仍然不失善良本性的人物形象。导演山本萨夫因敢于大胆揭露日本政界、财界上层人物的内幕而被称为社会派大师，是首创独立制片并坚持自己信念的少数几个导演之一。影片曾获1965年《电影旬报》十佳奖第四名。