Nick Newell, a one-armed MMA fighter gets a rare chance to fight for the lightweight championship. He strives to win for himself and all the other people in the world with physical challenges.

进入20世纪50年代，日本渐渐走出战败的阴影，开始进入经济高度增长期。在此背景下，供职于东洋第一广告公司的鹈原宪一（西岛秀俊 饰）经人介绍结识了美丽贤淑的祯子（广末凉子 饰），二人互相倾慕，不久完婚。婚后不久，鹈原受命前往位于金泽的分公司办事，却并未在预定日期回返。祯子无法继续等待，遂起身前往金泽。在这一过程中，祯子发现自己对丈夫并不了解，鹈原似乎隐藏着无数的秘密。随着调查的深入，莫名其妙的死者接连出现，祯子渐渐触摸到丈夫那不为人知的过去…… 　　本片根据日本推理小说作家松本清张的同名小说改编，也是松本清张诞辰100周年的纪念作品。

BenCampbell（吉姆·斯特加斯JimSturgess饰）有着惊人的才华，身为麻省理工高材生的他学业无懈可击，他亦毫无意外地赢得了哈佛医学院的录取通知书。然而30万的高昂学费和生活费令他的大学梦摇摇欲坠。在争取奖学金的面试中，教授对他说胜出者必须要有过人的经历而不是像本这种一张白纸的学生。Ben在一服装店打工，挣取每小时8美元的薪酬。同时和两个好友准备竞赛2.09以期获得认同和奖金。数学课上本的天才头脑被教授MickeyRosa（凯文·史派西KevinSpacey饰）发现，Mickey希望本加入自己的21算法团队，专门去赌场依靠算牌赢得大钱。Ben并不同意，但Ben一直暗恋的女孩JillTaylor（#凯特·波茨沃斯KateBosworth饰）也出面诱惑时，Ben开始动摇。Ben开始了严密的训练，出师的成功让Ben尝到了金钱、虚荣、欲望的权力。同时他和旧友开始疏远，渐渐迷失在赌场的漩涡里。

A love story set in the electronic music industry.

本片是一部有喜剧色彩的惊险科幻片，美国一家研究飞行器导航系统的实验室遭非法组织洗劫，一项正在进行的物体微型缩小实验遭受破坏，原本计划注入一只兔子体内的缩小微型飞行器，被项目负责人奥兹博士在被追杀途中注入一个叫杰克·迈克的超市售货员体eee。杰克有着间歇性高度兴奋的心理疾病。回到家里，杰克不仅发现有一个来自体内的声音与自己说话，与此同时还遭到不明杀手的追杀。rn　　注入杰克体内的，正是导航系统实验中被微型缩小的一个最尖端的飞行器，飞行器内，“叛逆宇航员”塔克正驾驶被微型缩小的飞行器在杰克体内“遨游”。通过杰克的视网膜和神经系统，塔克不仅能与杰克说话，还能指挥杰克与不明身份的杀手周旋搏斗。由于飞行器内氧气储备最多只能支持到第二天早上九点，要想还原被微型缩小飞行器和飞行器里的塔克，必须找到两快集成电路板中被非法组织拿走的那一块。rn　　在塔克的指挥下，杰克开始寻找非法组织。塔克无意间“看”到迎面走过的两个月前离他而去的女朋友莉迪娅后，指挥杰克引起莉迪娅的注意，使得莉迪娅也加入到行动当中来。莉迪娅是报社记者。最近得知一个消息，一个叫“牛仔”的惯偷受雇于一个非法组织，目标很有可能就是微型缩小集成电路板。在与杰克的接触中，莉迪娅惊讶于杰克对自己的了解。这种细致入微的了解中，只有有过肌肤之亲的塔克才会知道的。rn　　“牛仔”的目标果然不出莉迪娅所料。发现这个情况后，塔克启动电子模拟系统，对杰克的面部神经进行刺激，将杰克的容貌变成“牛仔”，使得杰克有机会见到藏在幕后的非法组织头目斯克雷蒙。细微的变化被斯克雷蒙发现后，杰克和莉迪娅被斯克雷蒙绑架，好在此时的杰克已经乱中取胜地拿到了被斯克雷蒙拿走的那块电路板。rn　　杰克被推进实验室的那一刻，尽管塔克给杰克以抗争的力量，但依然被斯克雷蒙注射进一个同样微型缩小的飞行器。两个飞行器在杰克的体内相遇，一番交手，塔克占领上风，斯克雷蒙的飞行器在杰克强大胃酸的腐蚀下化为乌有。此时，塔克还原的希望因为飞行器内氧气储备接近极限而面临危险。杰克和莉迪娅飞驰般地赶到导航系统实验室，利用杰克夺回的还原放大集成电路板还原飞行器，不仅挽回一项遭受破坏的科学实验，更挽救了塔克和莉迪娅之间已经走到边缘的爱情。

索尼影业的发言人今日透露，上一任“神秘博士”马特·史密斯与《权力的游戏》的“高庭玫瑰”娜塔莉·多默将共同出演科幻灾难片《零号病人》（PatientZero）。在《零号病人》（暂译）的故事里，某种超强病毒侵袭了整个地球并变异出一类具有严重暴力侵向的新物种。而一位对病毒免疫的人类幸存者发现自己能和这些变异人交流，为了拯救被感染的妻子，他决心带领大家找到“零号病人”，寻求治愈病毒的解药。本片将由凭借《伯纳德行动》获得过奥斯卡最佳外语片奖的斯戴芬·卢佐维茨基执导，喜剧片《冒牌家庭》的制作人文森特·纽曼担纲制片。

接连出现的凶杀案让警方陷入了焦头烂额之中，他们一边要寻找案件的真凶，一边要提防着媒体报道这些看上去十分诡异的案件。寥直彪（郑则仕 饰）是一名记者，对案件十分好奇，无意之中遇见了目击证人林安芝（朱宝意 饰），林安芝的口供证实了寥直彪对案件的种种猜测，他怀疑，背后的真凶很有可能是凶残的吸血鬼。　　其实，吸血鬼一直都潜伏在寥直彪的身边，寥直彪拍下了它的照片刊登在报纸上，却遭到了警方的投诉。之后，寥直彪数次遭遇吸血鬼，却屡屡被后者逃脱。寥直彪发现吸血鬼盯上了林安芝，遂前去保护，双方一番恶战，幸运的是，正义最终战胜了邪恶。

Halloween 1997 – the last night of high school for Corey, Jango and their skater gang, The Gromits. Childhood is over and adult life beckons. But for Corey, his past has some unfinished business. When he encounters Jonah, a former childhood friend but now victimised by Jango’s cruel streak, Corey takes pity on him and agrees to walk him home for old time’s sake. What starts off as a normal walk through empty suburban streets descends into something darker and magical, as trip through their memories and ghosts of the past, and Corey is surprised to discover how much he still has in common with his abandoned friend. And even the most buried truths will find a way of coming to life. Best unproduced screenplay award at the 2011 New York Gay and Lesbian Film Festival.

恐怖小说家梁大伟童年时目睹（鬼画）杀害亲生父亲血腥的场面，虽然令他失去记忆，却造成永不停止的梦魇。长大后那幅（鬼画）赫然地又出现了。究竟（鬼画）如何杀人于无形，又有什么深仇大恨要置人于死地？梁大伟好女友杨嘉玉为了追根究底，追踪到（鬼画）主人贾夫人，没想到却引起了更多的危机，使他们险象环生，惊险刺激。究竟贾夫人与鬼画是什么关系？是人是鬼？还是夺命使者？从（鬼画）的画家牵扯出一段离奇的情杀案，没有尸体，没有目击者。唯一当事者只有那位发疯的画家。画家为何要画（鬼画），而大伟与嘉玉又如何从（鬼画）中死里逃生？最后又会如何消灭鬼魅呢？

Having witnessed his junkie father killed Russell Stevens grows up to become a policeman and make a difference. When he is offered an undercover job by Gerald Carver he accepts and begins to build a relationship with David Jason in order to get to the main dealers. However as he is forced to deal drugs and kill to keep his cover he finds the lines between cop and criminal being lost – is he a cop pretending to be a dealer or a dealer pretending to be a cop　　Larry (as he was then) Fishburne's first lead role was a typically dark vehicle. The story is the usual one of cop losing himself when undercover, however it manages to be more than that for most of the time. Co-written by Tolkin, who wrote The Player, this naturally has a nice cynical edge to it when it looks at the US's hypocritical approach to drug control and the political links between the street hustlers and the political high rollers who court respectability. The story does eventually settle into a traditional setting but even then it works well as a thriller.　　The multi-talented Bill Duke directs well with a gritty feel and a few nice touches. However several things are a bit iffy. For most of the film Fishburne's narrationvoice over is a bit like a cross between Apocalypse Now and Blade Runner – it comes across as a little too dark and heavy and also explains things like we can't figure it out ourselves. However once you get into the film it's not as big a deal. My main problem lies with the characters.　　Fishburne is excellent, a real model of underlying anger and violence, Goldblum is good but perhaps a little OTT on the yuppieviolence thing, but there's good support from Smith and Spin City's beautiful (and often underused – but not here) Victoria Dillard. However the two main white characters (Goldblum and Smith) are both smeared with racist insinuations – Smith appears to insult his black officers and doesn't care about the junkies, while Goldblum is fascinated about all things black and talks about them as wild beautiful beasts and loves having sex with black'. These things aren't a major problem, but with basically only two white characters in it, it's a little worrying that both are given that edge.　　However these are minor complaints that get lost with a good thriller. Fishburne excels and Duke delivers a story that is a good thriller but also has a jaded, subversive edge.